Journal of Fine Arts: Visual Arts
The Journal of Fine Arts: Visual Arts is a double-blind peer-reviewed, open access, quarterly journal that publishes theoretical and empirical research on all aspects of visual arts. Its aim is to publish the results of research and scientific experiences in the field of visual arts, with a particular focus on Iranian Islamic arts. The journal seeks to promote and enhance research, as well as deepen theoretical and practical studies in this field. It emphasizes the significance of these fields both theoretically and practically, and encourages philosophical reflections on their nature. Additionally, it highlights the role of visual arts in advancing education in Iranian society. Submitted papers will be published after undergoing a special review process and receiving approval from the editorial board. Honar-Ha-ye-Ziba was originally published in 1995 to cover all aspects of art, but was divided into three journals in 2009. The Journal of Honar-Ha-ye-Ziba: Honar-ha-ye Tajasomi focuses on performing arts and music. Professors and researchers can visit the website directly to register, submit papers, and follow author guidelines.
Email: [email protected]
• Journal Title: Journal of Fine Arts: Visual Arts
• Country of Publication: Iran, Tehran.
• Publisher: University of Tehran
• Subject Area: theoretically and empirically research on all facets of visual arts. Research and scientific experiences in the field of visual arts. It aims to promote and improve research, as well as deepen theoretical and practical studies in this field, particularly in Iranian Islamic arts.
• Format: Print and Online
• Print ISSN: 2228-6039
• Online ISSN: 2538-5178
• Frequency: Quarterly
• Language: Persian, including extended English abstracts and bibliographies
• Open Access: Yes, free access to articles.
As an open-access journal, all published articles by Journal of Fine Arts: Visual Arts are freely accessible to the public. The published articles are made available on our site for all users immediately upon publication. Non-commercial use and distribution in any medium are permitted, provided the author and the journal are properly credited. The COPE guidelines are followed by the judiciary committee that presides over this journal for the rights of the authors to be preserved.
. Plagiarism Detection Mechanism: Through Irandoc
• Article types: Research and review papers
• Primary Review: 10 days, approximately
• Peer Review Policy: Double-blind peer-review
• Average refereeing time: 9 weeks
• Acceptance percentage: 20%
• Article Processing Charges: No
• Citation Style: The APA referencing style
• Website: https://jfava.ut.ac.ir/?lang=en
• E-mail: [email protected]
• Tel: +98-2166415282
• Indexing & Abstracting: EBSCO, E-LIS Eprints, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.
• COPE: Journal of Fine Arts: Visual Arts follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.
• Copyright: Authors retain unrestricted copyrights and publishing rights.
• Type of License: CC BY-NC - Creative Commons.
• Required files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. the main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.
• Journal Address: College of Fine Arts, University of Tehran, Tehran, Iran.
. Tel/Fax: +98-2166415282
Phone: +98(021)66415282
Address: College of Fine Arts, University of Tehran, Tehran, Iran
Email: [email protected]
• Journal Title: Journal of Fine Arts: Visual Arts
• Country of Publication: Iran, Tehran.
• Publisher: University of Tehran
• Subject Area: theoretically and empirically research on all facets of visual arts. Research and scientific experiences in the field of visual arts. It aims to promote and improve research, as well as deepen theoretical and practical studies in this field, particularly in Iranian Islamic arts.
• Format: Print and Online
• Print ISSN: 2228-6039
• Online ISSN: 2538-5178
• Frequency: Quarterly
• Language: Persian, including extended English abstracts and bibliographies
• Open Access: Yes, free access to articles.
As an open-access journal, all published articles by Journal of Fine Arts: Visual Arts are freely accessible to the public. The published articles are made available on our site for all users immediately upon publication. Non-commercial use and distribution in any medium are permitted, provided the author and the journal are properly credited. The COPE guidelines are followed by the judiciary committee that presides over this journal for the rights of the authors to be preserved.
. Plagiarism Detection Mechanism: Through Irandoc
• Article types: Research and review papers
• Primary Review: 10 days, approximately
• Peer Review Policy: Double-blind peer-review
• Average refereeing time: 9 weeks
• Acceptance percentage: 20%
• Article Processing Charges: No
• Citation Style: The APA referencing style
• Website: https://jfava.ut.ac.ir/?lang=en
• E-mail: [email protected]
• Tel: +98-2166415282
• Indexing & Abstracting: EBSCO, E-LIS Eprints, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.
• COPE: Journal of Fine Arts: Visual Arts follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.
• Copyright: Authors retain unrestricted copyrights and publishing rights.
• Type of License: CC BY-NC - Creative Commons.
• Required files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. the main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.
• Journal Address: College of Fine Arts, University of Tehran, Tehran, Iran.
. Tel/Fax: +98-2166415282
Phone: +98(021)66415282
Address: College of Fine Arts, University of Tehran, Tehran, Iran
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PaAnalysis of Persian Operettas of the Constitpers by Journal of Fine Arts: Visual Arts
The study employs a mixed-methods approach that integrates quantitative measurement with qualitative interpretation. In the quantitative phase, data were collected from 384 residents (192 from each neighborhood) using a standardized questionnaire developed around six core dimensions of human-centered urbanism: physical–spatial, socio–cultural, environmental, economic–functional, identity–historical, and technological–innovative. Statistical analyses, including independent samples t-tests, MANOVA, and structural equation modeling (SEM), were used to examine both the magnitude of differences and interrelationships among variables. In the qualitative phase, semi-structured interviews and systematic field observations were conducted with residents and local experts to explore lived experiences, neighborhood identity, and the dynamics of everyday interaction. Thematic analysis was then applied to synthesize key insights and complement the quantitative findings.
Results indicated a clear divergence between the two case studies. Emamzadeh Yahya demonstrated stronger realization of socio–cultural and identity–historical indicators, where social cohesion, neighborly solidarity, and preservation of cultural heritage enhanced place attachment and social capital. However, infrastructural decay, limited public services, and inadequate maintenance restricted the fulfillment of physical and functional indicators. In contrast, Marzdaran exhibited significant advantages in physical–spatial, economic–functional, and technological–innovative aspects. Planned urban design, accessible amenities, and digital infrastructure contributed to higher operational efficiency and comfort, yet weak interpersonal relationships and a lack of shared collective identity limited its social sustainability.
The comparative analysis revealed that neither neighborhood independently achieves a comprehensive realization of human-centered urbanism, as each fulfills only part of the multidimensional requirements of sustainable urban quality. Emamzadeh Yahya represents community cohesion, cultural continuity, and identity-based attachment, whereas Marzdaran embodies modernity, functionality, and technological advancement. Consequently, achieving balanced and inclusive urban development in Tehran requires an integrated and context-sensitive approach that merges the socio-cultural and identity-driven values of historic districts with the physical, economic, and innovative capacities of modern neighborhoods. Conceptually, the study aligns with emerging global discourses on human-centered cities, inclusive urban regeneration, and 15-minute neighborhoods, while contributing a localized framework adapted to the socio-spatial realities of Iranian cities. Practically, it offers evidence-based insights for policymakers, planners, and urban designers to formulate regeneration strategies that preserve local identity while enhancing infrastructure, services, and technological efficiency. By bridging theoretical and empirical perspectives, the study fills a critical gap in existing research and proposes a comprehensive model for regenerating and improving urban quality of life within the broader context of Iranian metropolitan development.
Human-centered urbanism; Historic urban neighborhoods; Contemporary urban neighborhoods; Tehran metropolitan context
This research aims to closely investigate the three-way interaction occurring between “title” (defined here as the linguistic facet encompassing the verbal meaning of the printed title text), “typography” (defined here as the aesthetic facet encompassing the graphical formatting and styling of the printed title text) and “cover image” (defined as the illustrative artwork encompassing the pictorial depiction on the front book cover) within the conceptual structure underlying the unified cover design presentation. The research methodology enacted is applied in nature, based fundamentally in library data collection, and analytical-descriptive in its systematic approach. The target domain under examination focuses exclusively on children’s picture storybooks classified for age groups “A” and “B,” while concentrating deliberate analysis specifically on three recently published titles selected expressly for their diversity exhibited in typographic title formatting and styling choices implemented: The Big Question (Erlbruch, 2009), Wise Honey (Piumini, 2017), and Sun Detective (Bahari, 2017).
Unlike former studies pursuing a one-dimensional correlation between title and cover image, this research proposes a two-dimensional identity operating within the functional book title itself. It explores the complex three-way interaction by closely examining how the linguistic reading aspect, aesthetic/graphical typographic aspect, and illustrative cover image aspect relationally interconnect across all three domains through a conceptual triangular dialogue.
The book title, like any other written sign, has both a visual and a reader-oriented aspect. This research demonstrates that these two aspects not only individually interact with the cover image but also have internal interactions with each other. Factors such as font size, color, thickness, and font type (visual aspect) can internally interact with the linguistic meaning of the title (reader-oriented aspect). Thus, the cover design results from the triangular relationship of the "reader-oriented aspect of the title," the "visual or typographic aspect of the title," and the "cover image."
This triangular relationship initiates with a dual interaction, such as decoding based on the internal interaction of the title (reader-oriented and visual interactions) and subsequently using the decoded information as an introduction for deciphering the codes of the cover image. The diversity in visual structures and themes of each artistic work continues to revolve around a central theme. In each interaction, the main visual structures engage in semantic and interpretative interaction, followed by the sequential interaction of other visual elements in the triad of "title," "typography," and "cover image."
The increasing prevalence and diversification of daily Persian typographic interfaces make the necessity of research in this regard undeniable.